Anne Tyler
Born 1941 · 1 quote
Anne Tyler is an American novelist, short story writer, and literary critic born in 1941. She has published twenty-five novels, including Dinner at the Homesick Restaurant, The Accidental Tourist, and Breathing Lessons, which won the Pulitzer Prize for Fiction in 1989. Her words are worth reading because her fiction has been repeatedly honored by major literary awards and prize lists.
Quotes by Anne Tyler
About Anne Tyler
Anne Tyler, born on October 25, 1941, in Minneapolis, Minnesota, is an American novelist, short story writer, and literary critic. Across a long writing life, she has published twenty-five novels, building a body of work known for close attention to families, time, habit, and the small pressures of ordinary life. Critics have compared her to John Updike, Jane Austen, and Eudora Welty, and she is recognized for fully developed characters, accurate detail, a rigorous and artful style, and language that is both astute and open.
Tyler is best known for novels such as Dinner at the Homesick Restaurant (1982), The Accidental Tourist (1985), and Breathing Lessons (1988). All three were finalists for the Pulitzer Prize for Fiction, and Breathing Lessons won the prize in 1989. Her honors also include the Janet Heidinger Kafka Prize, the Ambassador Book Award, the National Book Critics Circle Award, and, in 2012, The Sunday Times Award for Literary Excellence. Later in her career, A Spool of Blue Thread, her twentieth novel, was shortlisted for the Man Booker Prize in 2015, and Redhead By the Side of the Road was longlisted for the same award in 2020.
The oldest of four children, Tyler grew up in a family shaped by Quaker commitments. Her father, Lloyd Parry Tyler, was an industrial chemist, and her mother, Phyllis Mahon Tyler, was a social worker. Both were active in social causes in the Midwest and the South. The family lived in a series of Quaker communities before settling in 1948 in the Celo Community in the mountains of North Carolina, near Burnsville. Tyler lived there from age seven to eleven, helping care for livestock and taking part in organic farming. She did not attend formal public school there; instead, she learned through lessons in homes, a tiny schoolhouse, and correspondence school.
That unusual childhood gave Tyler an early sense of watching the ordinary world from the side. When her family moved to Raleigh, North Carolina, she was eleven, had never attended public school, and had never used a telephone. She later said that emerging from the commune and trying to fit into the outside world helped make her a writer. Books mattered early. At age three she told herself stories under the covers to fall asleep. At seven she made a book of drawings and stories about “lucky girls” who went west in covered wagons. She read Virginia Lee Burton’s The Little House many times and later described how it showed her that years pass, people change, and nothing stays the same.
In Raleigh, libraries opened more doors. Tyler discovered Eudora Welty, Gabriel García Márquez, F. Scott Fitzgerald, and many others. Welty became a lasting influence, showing her that fiction could be built from everyday details rather than only large events. At Needham B. Broughton High School, her English teacher Phyllis Peacock encouraged her writing. Tyler graduated at sixteen and went to Duke University on a full AB Duke scholarship, studying with Reynolds Price and William Blackburn. She majored in Russian Literature, graduated in 1961 at nineteen, and later spent a year in Slavic Studies at Columbia University before returning to Duke, where she met Taghi Modarressi, a child psychiatry resident and writer, whom she married in 1963.
Tyler’s fiction continues to matter because it gives weight to lives that might otherwise seem quiet. Her background left her alert to change, to family patterns, and to the strangeness hidden inside daily routines. She once described riding trains and subways in New York as feeling like “an enormous eye taking things in,” and that watchful quality runs through her work. Her books ask readers to look again at rooms, meals, marriages, children, departures, and returns, not as small subjects, but as the places where character is made visible.
Source: Wikipedia

